Soul, Sparkle, and Side Dishes: A Candid Conversation with Bryan Batt at Elmo

I recently had the incredible opportunity to catch up with my longtime friend Bryan Batt, and where better to do it than at my favorite neighborhood gem, Elmo Restaurant in Chelsea? If you've cracked the code of knowing me, you're probably aware that Elmo isn't just a character, it's my Chelsea culinary soulmate; a haven of community charm and fabulousness, much like my dear Bryan himself.

Bryan was in New York City for his latest venture, "Pay the Writer," and reconnecting at Elmo felt like the stars had aligned just for us. The cozy, yet stylish, ambiance of Elmo served as the perfect canvas for a deep dive into Bryan's remarkable life story. Exuding a captivating mix of New Orleans hospitality and Broadway flair, Bryan is the epitome of a life both well-lived and richly experienced.

Much like Elmo itself, he seamlessly blends a sense of community with a zest for the extraordinary. Our conversation was as enriching and delightful as any delicacy you'd find on Elmo's menu.

Dr. Bill: Bryan, you've had such a diverse career. Let's start from the beginning. How did acting first enter your life?

Bryan lit up as he reminisced, "Oh, it's a trip down memory lane! My earliest days on stage were pure magic. I mean, how many kids can say their breakout role was Rudolf the Red-Nosed Reindeer in a third-grade play? And let's not forget that show-stealing headstand, choreographed by my mom. The audience went wild! I think that's when I caught the acting bug."

As our conversation deepened, Bryan segued into a transformative chapter of his childhood that not only cemented his passion for acting, but also broadened his worldview. At just 10 years old, he landed a role in a New Orleans Recreation Department (NORD) production of "Li'l Abner."

For young Bryan, who had grown up in a bubble of privilege and attended a private school where diversity was notably scarce – only one black student was in his class – this experience was like stepping into a whole new world.

It was through NORD that he was introduced to the rich tapestry of cultures and backgrounds that make up New Orleans, forever altering his perspective on life as he knew it.

Founded in 1946, NORD was a haven for the city's underserved residents, offering not just recreation but a window into the soul of New Orleans itself. From bustling athletic fields to lively arts and crafts rooms, NORD's range of programs and facilities was a nurturing ground for children and adults alike. The organization was a linchpin in the community, providing structured experiences that went beyond mere fun – it was a cradle for growth, learning, and understanding.

Through NORD, Bryan was introduced to a colorful mosaic of kids from different backgrounds, cultures, and ethnicities. The experience shattered the bubble he'd lived in, equipping him with a new lens – one devoid of color, untainted by the prejudices that still lingered in the South. It was a wake-up call, an eye-opener that redefined how he moved through the world.

Dr. Bill: Who would you say inspired you the most throughout your career?

Bryan: It's got to be my high school drama teacher, Kitty Greenberg. She was phenomenal. I remember right after my first significant scene on 'Mad Men,' she was the second person to call, just after my mom.

Dr. Bill: So, from your grade-school stage to Broadway, how do you usually dive into a new role?

Bryan: It's all about the text for me. The story, the lines, and the unspoken words in-between. Every character is a puzzle, and the script holds the pieces.

As our conversation meandered through Bryan's storied career, we touched upon his riveting performance in the 2018 New York City production of "Sunset Boulevard." In that role, Bryan captivated audiences by artfully combining vulnerability and charisma, breathing new life into the classic story.

Then, with a glint in his eye, he recalled a particularly whirlwind moment.

Bryan: I was actually the first cover for Joe Gillis, you know, originally played by Alan Campbell. Alan was like a rock; he didn't miss a single day for six months. But as soon as Betty Buckley took over, Alan fell sick, and I had to rush back to NYC. When I got there, Betty, being the gem that she is, greeted me with flowers and said, "You will be magnificent." We've been buddies ever since!

Dr. Bill: Speaking of Broadway, how do you feel it's evolved since you first stepped onto the stage?

Bryan: Broadway has changed, unfortunately. It's become more corporate. But, at its heart, it still remains the magical place where stories come alive.

Dr. Bill: Transitioning between theater, TV, and film, especially musicals, must be challenging. How do you manage?

Bryan: The core remains acting. But, yes, in musicals there's a constant awareness of the voice. And for TV or film, you dial down the level a notch.

Dr. Bill:Let's shift gears and talk about your current venture. What's keeping you busy these days?

Bryan: Oh, I'm thrilled to be part of something really special right now. I'm in the world premiere of "Pay The Writer" at the Signature Theatre, and we're running through the end of September. It's been an incredible journey.

Dr. Bill: Ah, "Pay the Writer!" This sizzling comedy-drama by New York Times Bestselling Author Tawni O'Dell that I hear is a must-see. From what I know, the story is equal parts buddy comedy and edge-of-your-seat drama, navigating the tangled relationship between a high-flying literary agent and his best friend, who also happens to be his most successful client. From what I've read, the play masterfully uncloaks the intriguing dynamic of art and friendship, all while asking: What does one give up in the pursuit of creative brilliance? Far from just another theater outing, the play offers an introspective look at the unwritten rules governing lives consumed by art. Sounds like an amazing project to be a part of, Bryan!

Dr. Bill: In your 2010 memoir, "She Ain't Heavy, She's My Mother," you pull back the curtain on your life, revealing intimate details about your New Orleans upbringing, your relationship with your mother, Gayle, and your journey as both an actor and a gay man. Can you pinpoint a defining moment that shaped you in each of these pivotal roles?

Bryan: Professionally, it would have to be my roles in the play "Jeffrey" and in the TV show "Mad Men." On a personal note, meeting Tom 34 years ago completely changed my life. I had no idea that such deep love could even exist for me. It's been an absolute blessing.

Transitioning smoothly from his Hollywood experiences to his multifaceted life, I asked Bryan about balancing the demands of being an openly gay actor with his long-term partnership in both love and business. Bryan and his partner, Tom Cianfichi, have not only been life partners for many years but also business collaborators. They co-own Hazelnut, a beloved home décor and furnishing store in New Orleans.

Dr. Bill: You're a man of many talents: Actor, entrepreneur with Hazelnut, and author. How do you manage to juggle it all?

Bryan: It's all about passion. Whether I'm onstage, at the shop, or penning my memoir, I pour my heart into it.

Dr. Bill: For our EDGE readers who've come to know you as this larger-than-life personality, you mentioned earlier that you're actually quite shy?

Bryan: Well, I might seem outgoing, but I'm actually quite shy. My big personality? It was developed to protect myself.

Dr. Bill: Lastly, any advice for aspiring LGBTQ+ actors out there?

Bryan: Show up, say yes, and never give up!

As our conversation drew to a close, it was clear that Bryan Batt's charisma, talent, and humility shine brightly, both on and off the stage. Whether you know him from "Mad Men," his Broadway performances, or from a visit to Hazelnut, one thing's certain: Bryan Batt leaves an indelible mark wherever he goes.

"Pay the Writer" continues through September 30 at the Signature Theatre, the Pershing Square Signature Center/Alice Griffin Jewel Box Theatre, 480 West 42nd Street, New York City, New York. For more information, follow this link.